Apple has released Final Cut Camera version 2.4, introducing precise controls for the variable-aperture Fusion Main camera on the iPhone 18 Pro and Pro Max. The free update also brings an interface redesign, enhanced exposure tools, and professional monitoring features designed for creators using iOS 27.
Granular Optical Control and Interface Redesign
Final Cut Camera 2.4 adds shutter priority and aperture priority modes, allowing videographers to adjust aperture settings directly. The interface update repositioned core settings like shutter angle, ISO, and white balance for quicker adjustments during shoots.
For framing and exposure management, the app introduces customizable overlays such as false color and clipping indicators, alongside updated focus peaking with sensitivity controls. A tally light signals active recording, while a two-finger gesture clears on-screen controls from the viewfinder view.
Expanded Post-Production Workflow Features
The release unlocks Cinematic mode depth-of-field effects for standard video, including footage shot in Apple Log and ProRes. Editors can alter depth of field and modify focus points during post-production within Final Cut Pro.
Professional Video Scopes and iOS 27 Capabilities
For users running iOS 27, the app integrates broadcast tools including an RGB Parade color scope, a histogram, and support for clean SDI output using an HDMI-to-SDI adapter. It also incorporates genlock offset adjustment to synchronize latency across camera setups and reduce screen artifacts when filming displays.
Final Cut Camera 2.4 is available to download immediately from the App Store at no cost. Apple has not specified hardware support breakdowns for individual iOS 27 monitoring features across older device generations.
AI-generated editorial illustration; not a documentary photograph.
Source: Final Cut Camera update brings variable aperture control to iPhone 18 Pro
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